I'm really disappointed in Amanda Palmer. This does not paint a pretty picture of her.
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As far as I'm concerned Palmer is an active participant. There's absolutely no way she didn't know what was going on, and her public feminist stance provided extra credibility to Gaimen.
This is an extremely fucked up article. I don't think anyone could read it and not be disturbed.
That's some sad reading. Like watching a train wreck in slow motion, from the point where the train crashes back to where the company forces an engineer to cut corners on the design.
Legal classification: probably rape, definitely sexual assault.
An enabling factor: wealth (he was in a position to influence other's well-being economically, offer hush money and sign non-disclosure agreements).
“‘I’m a very wealthy man,’” she remembers him saying, “‘and I’m used to getting what I want.’”
An excuse: BDSM. The author of the article is correct to note:
BDSM is a culture with a set of long-standing norms, the most important of which is that all parties must eagerly and clearly consent
As for the search for the origin of his behaviour... I think they're on the right track. Like a former child soldier who carries a war inside them, Gaiman has probably been carrying a lot inside.
In 1965, when Neil was 5 years old, his parents, David and Sheila, left their jobs as a business executive and a pharmacist and bought a house in East Grinstead, a mile away from what was at that time the worldwide headquarters for the Church of Scientology. Its founder, the former science-fiction writer L. Ron Hubbard, lived down the road from them from 1965 until 1967, when he fled the country and began directing the church from international waters, pursued by the CIA, FBI, and a handful of foreign governments and maritime agencies. David and Sheila were among England’s earliest adherents to Scientology.
/.../
Palmer began asking Gaiman to tell her more about his childhood in Scientology. But he seemed unable to string more than a few sentences together. When she encouraged him to continue, he would curl up on the bed into a fetal position and cry. He refused to see a therapist.
Reading this, it seems obvious that Gaiman developed his behaviour due to trauma during childhood and youth - and has been exhibiting behaviour patterns that became normalized for him during time in the cult.
As for people whom he assaulted, it seems that they too carry a pattern - they were vulnerable at the time. Some had already experienced violence on themselves. Which, it seems - often hadn't been resolved, but had become normalized. They were not the kind of people whose "no" is followed by physical self-defense or the full weight of legal options - and Gaiman understood enough to recognize: with them, he could get away with doing things.
She didn’t consider reaching out to her own family. Her parents had divorced when she was 3, and Pavlovich had grown up splitting time between their households. Violence, Pavlovich tells me, “was normalized in the household.”
Well, what can I say about it...
...it is customary that accusations be investigated by cops (who hopefully cannot be bought) and presented as charges to a court of law. The defendant should have a chance to deny or excuse their actions, but if deemed guilty, is required to give up time or resources either as compensation or punishment. A court could make lesser or greater punishment dependent on taking action to fix one's behaviour traits - seeking assistance and not offending again. Those harmed should be offered assistance by their societies.
Wow. Several of the instances described are quite clearly rape; with some horrible scarring and degrading stuff through in; exploiting power-imbalance to make it possible. What I struggle to fully understand though are the text messages mentioned in the story. Gaiman argues that there was consent, and there are things said in those text messages that might support him. But the other circumstances, and the pattern of behaviour across multiple victims surely is enough to overrule that.
Pleasing your abuser and even returning to them because all you have ever known is abuse and they are showing you attention is extremely common. This situation sounds like one of those.
Edit: In the article they also point out that she didn't actually think of it as rape until she described the situation to others. Which is something I have heard more than one other rape victim say.
This article from 2017 is worth a read for anyone trying to figure out whether/how to separate the art from the artist.
What Do We Do with the Art of Monstrous Men? By Claire Dederer, Paris Review, November 20, 2017 https://www.theparisreview.org/blog/2017/11/20/art-monstrous-men/
I never read this and I really appreciate the share.
Some parts that spoke to me:
This, I think, is what happens to so many of us when we consider the work of the monster geniuses—we tell ourselves we’re having ethical thoughts when really what we’re having is moral feelings.
Yeah. Guilty.
“The heart wants what it wants.” (Steve Allen when discussing Soon-Yi)
It was one of those phrases that never leaves your head once you’ve heard it: we all immediately memorized it whether we wanted to our not. Its monstrous disregard for anything but the self. Its proud irrationality. Woody goes on: “There’s no logic to those things. You meet someone and you fall in love and that’s that.”
I moved on her like a bitch.
I found this fascinating. While I was confused by Allen's statement and why women found it so disgusting, the Trump parallel made it click.
A great work of art brings us a feeling. And yet when I say Manhattan makes me feel urpy, a man says, No, not that feeling. You’re having the wrong feeling. He speaks with authority: Manhattan is a work of genius. But who gets to say?
Going back to Gaiman, his work is held to a very high standard. But to say you dislike it, you will be met with confusion or even anger. And this is where this piece really spoke to me.
She mentioned a short story she’d just written and published. “Oh, you mean the most recent occasion for your abandoning me and the kids?” asked the very smart, very charming husband. The wife had been a monster, monster enough to finish the work. The husband had not.
A tangent in the essay about women writers. I found it fascinating that when a fuckface like Elon Musk abandoning his more than dozen kids can still rise the ranks. but God forbid a woman does the same.
There really is no answer to this that the author provides.
The tangent I shared is her last thought: does great art only come from monsters? I think a lot about other creative works, painters, comedians film makers... Who does some wild shit but not nearly to the level of Gaiman's accusations.
Also, like all summaries, read it yourself and find your own takeaways. It's the nuance, not the summary, that has value.
I didn’t heed the warning and regretted reading the whole thing - there are very detailed and gruesome first hand accounts of his alleged assaults on multiple women. Excellent reporting throughout, which only makes it more sickening.
Also, as a former Amanda Palmer fan, fuck her, too. It’s clear she enabled this and committed, at minimum, wage theft crimes. Both of them deserve to do jail time with even the most generous best-case-scenarios. I’m sure she was also abused by him, but that is not an excuse to abuse other women. Some feminist.
Yup, big fan of his work, really pissed off to find out he's such an asshole. But I'm glad we live in an era where creeps can get their due. Fuck this guy.
We have to remember that Bill Cosby was praised for decades because he genuinely made the world a better place while being an utter sack of shit.
I've never heard it articulated quite like this before, but you phrase it well.
Men like this absolutely deserve to be condemned and shunned for what they have done, but that doesn't also erase the good that they did before -- nor does it preclude them from ever doing good again.
At the same time, any good they do does not erase or counterbalance the harm. Jimmy Savile, the UK's worst celebrity paedophile who abused hundreds of children, conspicuously did a lot for charities throughout his career. He said that he knew God would look at all the good he had done and it would make up for the bad things. There was a calculus in which he only had to do more good each time he did bad, and it would cancel it out. It's a twisted view. Harm is harm and is not changed by any independent "good" act a person does. But apparent goodness can change its significance in the light of the harm that accompanies it.
Savile's apparent selfless good acts were actually a calculated attempt to win license to do harm, and a psychological coping mechanism to allow him to believe in his own basic goodness before God. Plus the reputation for selfless goodness served as a smokescreen to prevent people seeing clearly what was really going on, and to win the support and protection of powerful people. Seen this way, while the charitable works may have had some helpful effects, these were not genuinely good actions but in large part self-serving and an integral part of the dynamics of this man's abuse.
I think the same applies to men like Cosby and Gaiman: the overt charity or the overt feminism changes its meaning when you see how it serves them psychologically and reputationally, amd how it may be a functional part of the whole abusive operation.
Matt Bernstein in a recent video (it's long) discusses men who act as outspoken self-avowed feminists but then abuse their power to treat women terribly. The feminism may be genuine, but it may also be their smokescreen, or a mix of each, and when a man is very loud about being a feminist you have to look carefully to see which is the case. Some are genuine, but you have to ask. Maybe Gaiman was doing the feminist smokescreen, or maybe he's just so messed up that these two sides of his life - the feminism and the abuse - just didn't really encounter each other.
When the initial allegations came out I was shocked. A week later I was having breakfast with a good friend of mine and his wife. The wife worked in the comic book industry and we'd talked about Gaiman before. I brought up the allegations and she told me that no one who rubbed elbowed with his circle were shocked. Apparently he already had something of a reputation.
This is what gets me every time. Once this goes public everyone starts saying, ah yeah, no wonder, they had a reputation already, I knew they were sketchy and so on. So where the fuck where you (not you Hasherm0n, the people bringing this up) all this time? This could have ended so much earlier if people would speak up and make it more public.
Speaking out against the rich and powerful often does not work out well for the person who does it. They would be fighting a very rich and very successful man with a legion of extremely devoted fans. Women who have been direct victims of powerful men have spoken out about it and been destroyed for it (see Anita Hill).
There is a big difference between knowing a persons reputation and knowing their actions. Sometimes a person with a bad rep does small things you pick up on that reinforces the feeling. But you still don't actually know enough to accuse them.
It's a big deal accusing a powerful person. They are usually going to deny it and people are going to ask for proof. If all you have is rumors and a feeling it only hurts you.
It took several women coming forward with what happened to them to get the public on their side. Imagine trying to accuse him when all you had was rumors.
Its a big deal accusing a powerful person
Terry Crews is a former NFL player and all around “dude I would not want to mess with”
Even still he was hesitant to tell anyone he was abused, what does that tell you about the system
Jesus fucking Christ.
I have not read anything from Gaiman, but I can see that lots of People really liked his books and the Person he showed the world.
So I just want to say, I'm really sorry for all of you. Even though Gaiman can rot in Hell, I feel sad for people who just got their favorite Books and stories poisoned.
This is way worse than the J.K. Rowling turned TERF bit. These are actual crimes committed against women.
I legit really enjoyed many of his works, Good Omens, written with Terry Pratchett, is an all time classic, and I used to be proud of the fact that I actually met the man, as did one of my oldest friends as well as my brother in law.
Now it's all like "What the fuck?"
Welp, that's yet another maker of incredible art that turned out to be an absolute monster. Fucking hell.
If what he says about The Ocean at the End of the Lane about the kid representing him is true, then he's just another case of keeping a vicious cycle of abuse going. He should've sought psychological help. Hell, he should seek psychological help now, the media would love to write about his RL redemption.
Serving for his rape crimes would also be nice.
I have no evidence, but I believe Orson Scott Card has a thing for little boys. I devoured his books when I was a tween, but began to feel uneasy over time. There was a reoccurring theme of young boys being put in graphic situations that just, I don't know, but I've never been able to shake that feeling. Song Master pushed me over the edge. A 'beautiful young boy' being castrated so he doesn't go through puberty was when I stopped reading. My Spidey sense had never stopped going off about him since then.
Aaaand I just googled. I'm not the only one who picked up on that. Ew
Card is also a giant piece of shit in other ways, which is unfortunate because he is a good writer and his essays on the methodology of writing are excellent.
Gross. I'm glad this particular milkshake duck wasn't one I cared about. I still won't spend any more money on JK Rowling's stuff ever again.
Milkshake duck?
https://en.m.wikipedia.org/wiki/Milkshake_Duck
Copy/paste- pixelatedboat @pixelatedboat Twitter logo, a stylized blue bird
The whole internet loves Milkshake Duck, a lovely duck that drinks milkshakes! 5 seconds later We regret to inform you the duck is racist
Sounds like someone who suffered from serious abuse, never went to actual therapy in a meaningful way but instead got into a position of power where he could feel good by being the abuser instead of the abused. Which does not excuse any of it. On the contrary, his writing shows very clearly that he understands that what he did was wrong, but he did it regardless.
I have enjoyed Gaiman’s writing, also the Sandman show was excellent, but I am glad that in this era that I’m not the type of person to be a fan of anybody. I guess it is natural to ascribe virtue and look up to people who create thing you resonate with, but there’s no reason to think someone who wrote a book is worth praising or emulating other than in the book you liked.