just use a throwaway private email?
Oh I'm Azorean so maybe that's why I didn't think of that... We're not inbred!!!!
Portuguese here. I don't think we have that at all. I guess rural areas in general get that wrap a little bit but not really.
reading
A classic. So many questions arise from this simple text+image post:
- Is this person's child named really "Strairdrac The Netherwatcher"?
- Is Strairdrac even human?
- Why does Strairdrac want to teach crabs how to read?
- Why is it considered forbidden knowledge?
- What other knowledge is forbidden?
We will never have all the answers. Still, the questions are themselves a sort of answer.
Not under capitalism. I believe happiness is achievable though, maybe not in the sense of "constant euphoria" though. I think a lot of people misunderstand what it is to be happy... To be healthy, glad to see another day, and fulfilled. To me, that's happiness.
cross-posted from: https://lemmy.world/post/2350702
Insane and interesting production!!
The production really is the crowning jewel of this project. There's quite a bit of variety; some are very melodic, some get pretty loud and distorted. There's a lot of different sounds used in the beats too, reminiscent of those singer-songwriter songs, bedroom pop. There's some very nice vocal chops spliced in, there really is a bit of everything, and it's really nice.
The rapping and singing is great as well. Beenzino himself can pull off some nice flows, but I don't really like most of the features. I must admit that I do not know Korean ~(I~ ~just~ ~translated~ ~the~ ~lyrics)~, so maybe it's actually really awkward, but it sounds good at least. Maybe a bit too much ad-libbing going on though. Still, he sounds very good on every track.
The lyrics are interesting too. The whole album just has this odd melancholic vibe to it. Beenzino talks about desperation, how boring he thinks his life is, and about making it big. He reflects on his past mistakes, particularly at the end of the album when he talks about his addiction and getting a second chance to do things right. There's also a lot about the overwhelming anxiety that comes with trying to make it in the industry, and the pressure that comes with the prospect of failing.
Overall, I'd say this is a nice album, definitely worth checking out. Still, there's a lot that doesn't quite work.
What do you think?
Best song: In Bed/Makgulli
Worst song: Change
Rating: 3/5
Our saviour, the last bastion.
But what did he do? I'm not very tuned into everything that happened. Did he commit sexual assault or not? If they can't charge him, I'd assume that means they can't prove he did it right? OFC that doesn't mean he actually didn't, but I don't see why anyone should "socially punish" him over something you don't even know if he did or not, and something that he was found not guilty of.
I don't mean for this sound like sexual assault apologia or something, I just really don't understand the situation very well and trying to look this up online all I see is that he was accused and then found not guilty.
cross-posted from: https://lemmy.world/post/2195729
Iconic for good reason!
It's a bit of an old-school style, which makes sense considering it's a 29 year old project, but I wouldn't even say it sounds particularly dated.
The production is simply put: ICONIC! Very melodic, heavy on keys, and tons of vocal samples as well. Very chill. It's just very pleasant and easy-to-stomach, which actually really contrasts with more recent hip-hop, which can get pretty industrial and loud with it's production. Not Illmatic. I think it's what they call boom bap, but I'm not particularly knowledgeable about genres/styles.
The rapping is also immaculate, of course, it's Nasty Nas after all. He's very technically proficient and pulls out a few different flows, though I must say he goes for a very 1994 style every time. The lyrics don't fall behind either. Plenty of fun and sharp similes every verse; notable exception being the one about being bisexual.
The message is great too. A lot of love for New York and talking about living and growing up in New York, a lot of bragging and talking about his success. He talks of his struggles, but also finds time to brag about his abilities and success.
One thing I will say is that the chorus are usually not very good. They're not horrible or anything, just not as good as everything else.
What do you think?
Best song: N.Y. State of Mind
Worst song: One Love
Rating: 4/5
!!!! LOVE FOSS!!! Will check it out.
cross-posted from: https://lemmy.world/post/1894549
Great punk.
This didn't blow me away, but it's certainly good music.
It's intense, with lots of guitars and charismatic vocals. The lyrics also have lots of personality. Some songs have a more introspective tone, while others take more of a critical look at the world and at people, like in the song Big Dick.
Overall, I think this is a rather poignant project, because it's 34 years old and so much of what is criticized in the songs is still very much alive. Some has even gotten worse, like the mass surveillance depicted in The Tower.
I got tired of waiting because I found out there's only a very very fine line between biding one's time and wasting one's time. Do you know what I mean?
This album is about how fucked things are, the lies everywhere, the injustice that festers everywhere. More than that, it's about patience running out, time running out, and disillusion. It's very emotional, and I like it.
What do you think?
Best song: Tired of Waiting
Worst song: The End of All Things
Rating: 4/5
cross-posted from: https://lemmy.world/post/1738775
Hilarious and action-filled!
Finally managed to watch this movie, and the wait was worth it!
The music is impeccable (as usual), and the comedy is on point. The action is great as well, with tons of thrilling sequences with interesting character designs and well choreographed fights. The environments were also fantastic, with disgusting, slimy scenes everywhere, which really drove home the whole idea of "perfecting" the world being a complete sham.
The plot doesn't leave anything to be desired either. It's interesting and thrilling. The main villain does a fantastic job of being hateable! I thought it was great acting by Chukwudi Iwuji, really outstanding job.
The only thing I didn't like too much was the very notable lack of stakes. Well, obviously there were stakes, but I never got the feeling they could actually fail to get the job done. I never thought that they might actually lose, for once. On one hand, that kinda sucks, on the other hand, it's a comedy-action movie that has great comedy and action. I don't think the lack of tension is a big deal.
What do you think?
Rating: 4/5
cross-posted from: https://lemmy.world/post/1729745
Witty lyricism and biting commentary.
This is a nice album. By far the best part is the lyricism and commentary. Open Mike Eagle is extremely witty and pulls off some great one-liners and very creative and nerdy rhymes on basically every song on this EP. More than that, he manages to also provide great commentary on politics, the economy, and the entertainment industry, as well as his personal struggles with the systems that rule our societies.
That being said, nothing else really stands out on this project. The beats are good, most of the time, but can also fall flat and feel mute. Mike's vocal delivery isn't the best either, his singing is mediocre at best.
I really liked the features though! MC Paul Barman and Milo really nailed it on Trickeration.
What do you think?
Best song: Dark Comedy Late Show
Worst song: Raps for When It's Just You and the Abyss
Rating: 3/5
cross-posted from: https://lemmy.world/post/1596931
A bloody smile, forced.
This album sounds beautiful. The guitars are great, and the vocals are really great. The screams just pierce your soul and shake your bones! There's plenty of similarity between each song, but they manage to make every track feel distinct and separate, yet connected. Some songs get beautifully melodic too.
Sometimes the line delivery leaves something to be desired, though. It feels weirdly unnatural, the way some lines are read individually regardless of whether or not they're a continuation of the previous line.
I really appreciate how every track flows into the next, like a tape. It makes the project feel like a single entity rather than a collection of tracks. It's almost like they're playing the songs back-to-back and we're just in the room listening in.
The lyricism is brilliant, if a bit unhinged. This album is written with viscera and splattered across the walls like the guts of a dead whale. It's disgusting, and a bit horrorcore, but it's just so emotional. It never feels overdone or nasty for the sake of shock, it's just raw emotion portrayed in a grimy sludge of words.
The lyrics really are the best part about this album. The themes of failure, regret, depression, indifference, and of taking part in life and community despite not wanting to and having to deal with the consequences... It's loud and powerful. The absurdity of continuing on despite all the horrible things that happen every day permeates this album; it's just fantastic.
These lyrics really stuck with me:
We were fed our first communion
But the bread turned to flesh
As we chewed, and boy we chewed
What do you think?
Best song: floral organs
Worst song: 9/12
Rating: 4/5
13
[REVIEW] Stéphane Aubier & Vincent Patar & Benjamin Renner - Ernest et Célestine
(m.media-amazon.com)
cross-posted from: https://lemmy.world/post/1541244
Beautiful and emotional!
Such an endearing story, told in such a marvelous way. This is what animation is for, I mean, everything is so beautiful and fluid and whimsical. I particularly liked the mice, but the bears are cool too.
The music is also stupendous, gorgeous strings and piano throughout the film. The little sections when Ernest plays piano and violin for Célestine are so adorable, and it actually sounds great. The voice acting is incredible as well, so much emotion in every word!
I'm a big character guy, and the varied cast really sells this movie. I suppose one could argue that characters outside of Ernest and Célestine are a bit one-dimensional, in that they're stuck in their ways and consumed by prejudice, blind to the world and obsessed with the otherness of the other species. Still, I feel that they serve their purpose perfectly, and they're all HILARIOUS! Once again, the animation shines here, granting these characters a certain absurdity of movement to match the absurdity of their ideologies. It also lets Célestine show how persistent and determined to change Ernest she is with more than just her words, namely with her ability to appear from anywhere after being tossed out, which also makes for some absolutely hilarious scenes.
The messaging is on point, of course. This movie is from 2012, which is more than a decade ago, but things really haven't changed. The characterization of society as divided yet equal, and of how, fundamentally, the great divider is class rather than anything else (for which species is a catch-all stand-in), strikes hard. The pervasiveness of hatred rooted in fear, and the initial scenes showing how this fear is nurture rather than nature really struck a chord with me. Ernest and Célestine both struggling with authority figures and their expectations of them, of the role they were meant to take in their respective societies, really pushes this idea that the system is flawed and broken.
The ending was a bit underwhelming, perhaps. That's really the only negative thing I can point out. It felt like things were resolved very easily. It's a metaphor, and really it's a bit on the nose, but I guess I just wanted another chase scene...
What do you think?
Rating: 5/5
cross-posted from: https://lemmy.world/post/1402187
Great concept, poor execution.
Everything that relates to the production value of this movie is subpar: the voice acting, the sound design, the animation... There's nothing excellent here, there's really nothing good here.
The voice acting sounds awkward at times. Japanese voice acting is known for being great, but here nearly every line feels emotionless, and the main characters sound like they're whispering very loudly instead of just talking. Which is something I can only assume is an artistic choice? I suppose it fits the theme of the movie but it sounds bad. Notably, Anzai Chika's performance as Kobayashi was actually pretty great.
The music and sound design on this thing is also not great. It sounds so quiet, so empty. Once again, this must have been by design, as it fits the theme, but it sucks! It makes the whole movie feel bland and faceless. Just because it's about a secret and escaping others doesn't mean the movie should be empty.
The animation is somewhat decent. It's not a very distinct style, and some frames look horrible. There's also some scenes with 3D animation that are very not good. Still, for the most part it's OK.
Still, this is definitely not a bad movie. It's a very interesting concept. Personally, I love time-related movies (like Tenet and The Girl Who Leapt Through Time), and the idea of being able to stop time for a short duration is cool.
The relationship between the two main characters is also great, and very engaging. Murakami's whole personality, or lack thereof, really made me think... I wonder if there really are people that act this way. Personally, I related to Moritani WAY more, feeling overwhelmed and just wanting to run away. Murakami's whole ordeal felt very odd to me, but it was still very emotionally compelling. I think it was conveyed in a very nice way.
The conclusion was a bit underwhelming though, probably as a consequence of this running for only 1 hour. Still, it didn't leave a sour taste in my mouth or anything, I just wish there was more to the story. I suppose that's actually a compliment to the plot, in a way.
^I^ ^related^ ^to^ ^Moritani's^ ^perverted^ ^tendencies^ ^too.^
What do you think?
Rating: 3/5
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