arotrios

joined 1 year ago
 

cross-posted from: https://kbin.social/m/13thFloor/t/478961

It was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning.

Wikipedia

 

cross-posted from: https://kbin.social/m/13thFloor/t/476755

Don't panic, and bring a towel.

For seasoned galactic travelers, if you're looking for the Ultimate Hitchhiker's Guide to the Galaxy, which includes:

  • Hitchhiker's Guide
  • The Restaurant at the End of the Universe
  • Life, the Universe, and Everything
  • So Long and Thanks for All the Fish
  • Young Zaphod Plays It Safe
  • Mostly Harmless

... this wormhole should get you there.

Also, upon conferring with both Space and Ice Pirates, I've been persuaded to also provide their contribution here in honor of the late, great Douglas Adams.

Now could you guys please untie my cats and get them off the plank?

[–] arotrios@lemmy.world 2 points 1 year ago

@jerzydyd@mastodon.social - I felt the same - I couldn't put them down as a kid. It's definitely got some 70s era prejudice in how it was written, and in the strict cultural divisions based on race and religion that it portrays, but I never felt that it was overtly or deliberately racist - rather the author portraying a barbaric world ruled by gods who were very close at hand and fiercely protective of their people. I still get chills remembering the god Mara wailing in the ruins for the slaughtered Maragor.

 

cross-posted from: https://kbin.social/m/13thFloor/t/473436

Long ago, so the Storyteller claimed, the evil God Torak sought dominion and drove men and Gods to war. But Belgarath the Sorcerer led men to reclaim the Orb that protected men of the West. So long as it lay at Riva, the prophecy went, men would be safe...

Wikipedia



This series remains some of the best fantasy I've ever read, and it's often very hard to find, as it's been out of print for a while now in most places.

Content Warning: David Eddings has a checkered past regarding the abuse of his adopted son, which he served a year in jail for in 1970. There are likewise dark themes in these novels that some readers may find disturbing. That being said, I believe the work stands on its own as a masterpiece of world-crafting. Please note I present it on those grounds, not as any endorsement of Eddings himself.

 

cross-posted from: https://kbin.social/m/13thFloor/t/317329

The Blues Brothers is a 1980 American musical comedy film directed by John Landis. It stars John Belushi as "Joliet" Jake Blues and Dan Aykroyd as his brother Elwood, characters developed from the recurring musical sketch "The Blues Brothers" on NBC variety series Saturday Night Live. The script is set in and around Chicago, Illinois, where it was filmed, and the screenplay was written by Aykroyd and Landis. It features musical numbers by rhythm and blues (R&B), soul, and blues singers James Brown, Cab Calloway (in his final feature film role), Aretha Franklin, Ray Charles, Chaka Khan, and John Lee Hooker. It features non-musical supporting performances by Carrie Fisher, Henry Gibson, Charles Napier, Kathleen Freeman and John Candy.

More detail

[–] arotrios@lemmy.world 0 points 1 year ago (1 children)

That's one of the reasons I posted the source material as available (free) downloads as well - Day has come under criticism before by Tolkien scholars. I personally found most of his mistakes and liberties in this work to be minor, but I'm not a Tolkien scholar. Nonetheless, the work has a unique artistic touch that regardless of its accuracy, brings the novels to life in a way that surpasses later catalogues, and it was responsible for getting young readers of my generation interested in reading them.

 

cross-posted from: https://kbin.social/m/13thFloor/t/468551

Original post credit to @_rhofman@kbin.social

The Commander-in-Chief answers him while chasing a fly
Saying, "Death to all those who would whimper and cry"
And, dropping a barbell, he points to the sky
Saying, "The sun's not yellow, it's chicken"

 

cross-posted from: https://kbin.social/m/13thFloor/t/468313

Black Orpheus (Portuguese: Orfeu Negro [ɔɾˈfew ˈneɣɾu]) is a 1959 romantic tragedy film directed by French filmmaker Marcel Camus, and starring Marpessa Dawn and Breno Mello. It is based on the play Orfeu da Conceição by Vinicius de Moraes, which set the Greek legend of Orpheus and Eurydice in a contemporary favela in Rio de Janeiro during Carnaval. The film was an international co-production among companies in Brazil, France and Italy.

The film is particularly noted for its soundtrack by two Brazilian composers: Antônio Carlos Jobim, whose song "A felicidade" opens the film; and Luiz Bonfá, whose "Manhã de Carnaval" and "Samba de Orfeu" have become classics of bossa nova. The songs performed by Orfeu were dubbed by singer Agostinho dos Santos.[6] Lengthy passages of filming took place in the Morro da Babilônia, a favela in the Leme neighbourhood of Rio de Janeiro.

Black Orpheus won the Palme d'Or at the 1959 Cannes Film Festival, the 1960 Academy Award for Best Foreign Language Film, the 1960 Golden Globe Award for Best Foreign Film and was nominated for the 1961 BAFTA Award for Best Film.

Important to note, there's some controversy over the film in Brazil:

While the 1959 adaptation has been celebrated internationally, it has been criticized by Brazilians and scholars for exoticizing Brazil for an international audience and reinforcing harmful stereotypes.

and...

The Palme d'Or and Oscar-winning film was celebrated internationally and criticized in Brazil; Vinicius de Moraes, author of the play Orfeu da Conceição upon which the film was based, was outraged by the film and left the theater in the middle of the screening. Critics of the adaptation by Marcel Camus argued that it reinforced various stereotypes about Brazilian culture and society and about Afro-Brazilians specifically, portraying the characters as "simple-minded, overtly sexual, and interested only in singing and dancing." Setting out to make itself more "appealing" to foreign audiences, the film resorts to a "cheap and problematic exoticism" of Brazil.

Wikipedia

This movie is an explosion of cinematic joy de vivre, unique in the energy it brings to a classic tragedy, and a unique picture of Brazil in the late 50s, I've decided to let the audience decide where their opinions sit in the controversy above.

Captions in English available in settings -> captions on the player for those that don't speak Portuguese.

 

cross-posted from: https://kbin.social/m/13thFloor/t/468547

David Day's A TOLKIEN BESTIARY is a scholarly, definitive and enchantingly beautiful explanation of all the imaginary beasts, monsters, races, nations,deities, fauna and flora of J.R.R- Tolkien's fantasy worlds of Middle-earth and the Undying Lands.

David Day has identified, analyzed and described 129 separate races. Each is lucidly explained in terms of its physical appearance, language, behavior and culture. A TOLKIEN BESTIARY does not retell their stories: its purpose is to make Tolkien’s own books more accessible by identifying his living creatures and explaining their roles in his epic world.


While not the most accurate of the Tolkien Bestiaries, this one was the first, and the one with the best artwork.

Downloads for the novels:

[–] arotrios@lemmy.world 0 points 1 year ago (1 children)

I've always dug it because it was one of the first explorations of a successful invasion from another species, and it was an excellent scifi deconstruction of colonialism, one that was groundbreaking for the time it was written (right before WWII).

 

cross-posted from: https://kbin.social/m/13thFloor/t/359206

Karel Čapek’s last major novel, War with the Newts, is a satirical dystopian masterpiece, both prescient and timeless, uniquely Czech and yet universal in appeal. Published in 1936, it remains one of the most thought-provoking novels ever written.

Wikipedia

The full novel in html, courtesy of Project Gutenberg Australia

 

cross-posted from: https://kbin.social/m/13thFloor/t/466120

Racks on racks, money ginja me
Opps, they talk, say na frequency
Had to laugh way they humor me
Runnin' it up with the urgency
Streets dey over ginja me
From the wall to the window seat
In the sun, through the storm, in the winter
I'm in the club, shawty moving like a ninja, ninja
Fresh to death, I'm beyond heat
Activist in my Dior jeans
Buss a jigg, feed you Molly
Feed my love like crack to this fiend
I can't be your lover
Too many things to lose
You love me with no honor
Don't wanna leave, I don't
I knew that you were trouble
Wasted eyes on you
I can't be your lover
Too many things to lose
Demon with the Dior on the dresser
Pop a Molly tessie in a Tesla
Let it warm your back and your neck (uh, uh, uh)
I'ma film it all, make a best-of
Edit it all, make it scene on scene
Under it all, know you scheme on me
Hottie million with a milli' on me
I wanna menage with the blicky on me
Turn the bass up (tell me what you want, want)
She want more to taste, uh (I can get it all, all)
(Pretty little bitch, give me pretty, give me nana)
(Take me to Nirvana, diamond in the sky-y)
I can't be your lover
Too many things to lose
You love me with no honor
Don't wanna leave, I don't
I knew that you were trouble
Wasted eyes on you
I can't be your lover
Too many things to lose

Wikipedia on Amaarae

[–] arotrios@lemmy.world 1 points 1 year ago

A happy synchronicity - had no idea that had been posted, but off to upvote @MC_Lovecraft@lemm.ee.

 

cross-posted from: https://kbin.social/m/13thFloor/t/465146

Why are you such a derelict? Such a piece of human junk? The answer's simple. You're a scanner, which you don't realize. And that has been the source of all your agony. But I will show you now that it can be a source of great power.

CW: Exploding head. David Cronenberg. Genetic manipulation. Homeless escalator acrobatics. Involuntary suicide. Thinly veiled Thalidomide allegory. Did I say exploding head? Exploding head.


Wikipedia

[–] arotrios@lemmy.world 1 points 1 year ago (1 children)

If you need it in other formats, this link has a great selection of free alternatives - you can filter by your preferred file format. There's a azw3 version here that should work with Kindle.

 

cross-posted from: https://kbin.social/m/13thFloor/t/457507

"The feeling is definitely there. It's a new morning in America... fresh, vital. The old cynicism is gone. We have faith in our leaders. We're optimistic as to what becomes of it all. It really boils down to our ability to accept. We don't need pessimism. There are no limits."


"Outside the limit of our sight, feeding off us, perched on top of us, from birth to death, are our owners! Our owners! They have us. They control us! They are our masters! Wake up! They're all about you! All around you!"


One of the best everyman's survival guide to dealing with alien infiltration. The Electroids love to use these kind of tactics.


They Live is a 1988 American science fiction action horror film written and directed by John Carpenter, based on the 1963 short story "Eight O'Clock in the Morning" by Ray Nelson. Starring Roddy Piper, Keith David, and Meg Foster, the film follows an unnamed drifter who discovers through special sunglasses that the ruling class are aliens concealing their appearance and manipulating people to consume, breed, and conform to the status quo via subliminal messages in mass media.

Wikipedia

 

cross-posted from: https://kbin.social/m/13thFloor/t/403415

The Third Man is a 1949 British film noir directed by Carol Reed, written by Graham Greene and starring Joseph Cotten, Alida Valli, Orson Welles, and Trevor Howard. Set in postwar Vienna, the film centres on American Holly Martins (Cotten), who arrives in the city to accept a job with his friend Harry Lime (Welles), only to learn that Lime has died. Viewing his death as suspicious, Martins elects to stay in Vienna and investigate the matter.

The atmospheric use of black-and-white expressionist cinematography by Robert Krasker, with harsh lighting and largely subtle "Dutch angle" camera technique, is a major feature of The Third Man. Combined with the iconic theme music by zither player Anton Karas, seedy locations and acclaimed performances from the cast, the style evokes the atmosphere of an exhausted, cynical post-war Vienna at the start of the Cold War.

Greene wrote the novella of the same name as preparation for the screenplay. Karas's title composition "The Third Man Theme" topped the international music charts in 1950, bringing the previously unknown performer international fame; the theme would also inspire Nino Rota's principal melody in La Dolce Vita (1960).[citation needed] The Third Man is considered one of the greatest films of all time, celebrated for its acting, musical score and atmospheric cinematography.[5]

In 1999, the British Film Institute voted The Third Man the greatest British film of all time. In 2011, a poll of 150 actors, directors, writers, producers and critics for Time Out ranked it the second best British film ever.

Wikipedia

[–] arotrios@lemmy.world 1 points 1 year ago

Another great one - here's a link to get a free .pdf copy if you're looking to add to your library:

https://annas-archive.org/md5/ae962cb11c50e00ecdc2b50d2d813b54

[–] arotrios@lemmy.world 2 points 1 year ago

I agree, Still Life is the stronger novel. I usually choose Cowgirls as the work of his to to introduce new readers to, as it's more accessible and lighthearted, but Still Life is where Robbins really shows his chops.

Here's a link to a free copy (.pdf download) from Anna's if you're looking for one: https://annas-archive.org/md5/85333852ce8e0b37dc4918f59cfb5bb1

[–] arotrios@lemmy.world 2 points 1 year ago

I agree. I'm probably gonna post this to the !13thFloor@kbin.social with more of a synopsis another night, but here's an early screening for you.

[–] arotrios@lemmy.world 1 points 1 year ago

Wut?

The internet archive lit the fire, or whomever posted the video collection did. I just found the smoke, and invited y'all around the campfire. There's no need get snippy, Zorak.

[–] arotrios@lemmy.world 3 points 1 year ago (2 children)

Shhhhh.... the corpodrones will hear you. They haven't relinquished the copyright - they've been hunting Space Ghost to extinction everywhere on the internet.

Seriously though, licensing and an aggressive anti-piracy campaign have pretty much wiped Space Ghost from most places online, and the daft motherfucker is a cultural icon. So it sure sure is great that the Internet Archive, knowing it's days were numbered, absolutely doesn't have a full download link for all the episodes in the lower right hand panel so you glorious bastards can do what you do best and make sure it doesn't get locked away behind a corporate paywall or vault for the next 30 years... because that would be illegal and wrong and cost a couple of pennies to the assholes who have every writer in Hollywood out on the street striking.

In fact, I'd say recent developments towards the centralization, sterilization and capitalization of our culture have become so extreme that subversive action is not just justified, but inevitable at this point.

In other words, surf's up, mateys! Time to ride the waves and sail the high seas again... Space Ghost needs our help!

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