Scaldart

joined 1 year ago
[–] Scaldart@lemmy.world 3 points 1 year ago

The only two things formatting makdown consistently, for now, are Jerboa and the web interfaces.

I've been posting a lot of poetry using some markdown witchery to format, only to realize that some interfaces show all of the markdown even inside the post itself. Jerboa will show it in the summary tile before you click in, but it does format.

[–] Scaldart@lemmy.world 5 points 1 year ago

You know, this is honestly terrible. Probably one of the worst I've seen in a while.

I love it!

 

cross-posted from: https://lemmy.world/post/114069

Born in Kirkwood, Missouri, on November 15, 1887, Moore was raised solely by her mother in an interesting, albeit not unique, world. Her father, John Milton Moore, was victimized by a psychotic episode that would dissever his marriage to Mary Warner Moore, Marianne's mother, before their daughter was born. Her early life would solidify her strong Presbyterian faith and formulate the bedrock themes of much of her future poetry.

When her grandfather, Presbyterian pastor John Riddle Warner, died in 1894, while Marianne was only six years old, her family moved to Pittsburgh, Pennsylvania before eventually settling in the town of Carlisle two years later. This move would set the stage for her future renown as it placed her within the proximity of Bryn Mawr College, which she would attend in 1905. Graduating four years later with degrees in history, economics, and political science, Moore would also write her first poems here alongside her classmate, poet H.D. (Hilda Doolittle).

Later, Moore would live with her mother in Brooklyn, working as a librarian before eventually holding a four-year tenure as editor of the literary journal The Dial. Her time spent in the city would make her an avid Dodgers fan, to such a degree that she would even compose an ode to the 1955 World Champions. During this time, she also networked with, and received no small degree of praise from, T.S. Eliot, Ezra Pound, and Wallace Stevens. Moore would return the favor by later mentoring and encouraging promising young poets Elizabeth Bishop, Allen Ginsberg, John Ashbury, and James Merrill.

Moore's habit of using quotations "not as illustrations, but as a means to extend and complete a poem's original intentions" would prove to be a major innovation in the modern American style. She also pushed the limits of minimalism in some of her work by revising previously published poems and reducing them to their core, famously saying "omissions are not accidents."

She lived her life holding true to the idea that strength came from adversity, becoming a staunch supporter of the women's suffrage movement and opposing Pound's anti-Semitic beliefs. Moore would die on February 5, 1972, having received the National Book Award (1951), Pulitzer Prize (1951), Bollingen Prize (1951), Edward MacDowell Medal (1967), and National Medal for Literature (1968) in her lifetime.

(Brief biography sourced from The Oxford Book of American Poetry (2006 edition), Poets.org, and Wikipedia)


Silence

My father used to say,
"Superior people never make long visits,
have to be shown Longfellow's grave
or the glass flowers at Harvard.
Self-reliant like the cat —
that takes its prey to privacy,
the mouse's limp tail hanging like a shoelace from its mouth —
they sometimes enjoy solitude,
and can be robbed of speech
by speech which has delighted them.
The deepest feeling always shows itself in silence;
not in silence, but restraint."
Nor was he insincere in saying, "Make my house your inn."
Inns are not residences.

— Marianne Moore

[–] Scaldart@lemmy.world 4 points 1 year ago

Hey, thanks a ton! I'm pretty sure he has all of those tools. I'll have to pass along your process and give him some inspiration!

[–] Scaldart@lemmy.world 9 points 1 year ago (2 children)

Wow. This is a gorgeous piece! Color me impressed. I personally don't do any woodworking, but my father dabbles. Would you mind sharing what tools you used?

[–] Scaldart@lemmy.world 57 points 1 year ago (6 children)

To be perfectly honest, Lemmy has had staggering growth regardless of the lack of media attention. And I'm not entirely certain that's a bad thing.

Look at my home instance of lemmy.world, for example. When I joined pre-blackout, we had around 800 members. Now, two server upgrades later, we're at nearly 18,000. If only a fraction of those newcomers stay, it's still enough to jumpstart organic growth, even if it's slow. And it gives us time to really develop.

Maybe that's a glass-half-full outlook, but I'm optimistic.

[–] Scaldart@lemmy.world 6 points 1 year ago

I'm one of those people. I hate Edge. Like, with a disproportionate amount of vitriol.

But it actually doesn't have anything to do with its functionality (though I'm not thrilled with the privacy concern OP linked), but rather the fact that I get bombarded with "IT'S BETTER IN EDGE! MAKE EDGE YOUR DEFAULT BROWSER! PLEASE PLEASE PLEASE!." It's the most asinine, annoying bullshit.

In all fairness, I did finally figure out how to make it stop. It's just ridiculous that I have to go through all of that every time I'm on a new PC. Let me browse the way I want to, damnit.