Jaccident

B-Dunks’ performance is masterful in Threshold. It’s every hammy instinct one could muster up, but with production value. The tongue scene alone is amazing.

He’s a man of special punscience. ice cream truck music plays

A decent point, but each of those ships were from realities where the Cerritos is that class. Just as there are Klingons who never left Quo’nos or never evolved past proto-Klingons and those crews and ships were affected by the reality waves to reveal them.

I think there is a reality within which the Klingons evolved slightly differently and developed a slightly different culture, but remain close enough that we don’t see major changes to the events of the Prime timeline.

Is it fair to assume that, by showing the Klingon turning Disco, that the implication is that Discovery exists in a reality almost identical to the Prime Timeline, but with differently evolved Klingons?

If so, it begs a question. Is there a Mirror Universe for every reality? Or do they all share one?

Oh my god, I can’t believe I’m about to have such a pedantic correction… But the company that make the Hotjo mugs used on DS9 is Highwave, not Hotwave.

The best agent Bajoran TSA ever had.

If we’re talking extinguished timelines the Year of Hell Janeway would like a word. (Unless…did you erase her for the glory of the Krenim Imperium?)

Someone watching along with The Greatest Generation?

British. Specifically Scottish.

As I am not American I grew up with socialism being a positive connotation in day to day culture, so much so it’s wild to me that this needed to be veiled in Trek’s past. Star Trek should be as explicit as possible with this. “Hey, you want Utopia? This is how you earn it!”

True, but also it’s the Discovery, not the Discovery A we have now.

Calypso has to be assumed to be canon to a prevented timeline (maybe one where Control won at the end of season 2 etc.)

I thought it was quite good myself; it reminded me very much of the doctor taking over Seven’s body in Body and Soul, the various crew possessions in Powerplay, and Curzon inhabiting Odo in Facets. I do enjoy getting to see an actor really chew the scenery outside the confines they have worked in before.