This is one of the reasons I use soundcloud when listening to music.
this post was submitted on 02 Dec 2023
413 points (100.0% liked)
Technology
37739 readers
500 users here now
A nice place to discuss rumors, happenings, innovations, and challenges in the technology sphere. We also welcome discussions on the intersections of technology and society. If it’s technological news or discussion of technology, it probably belongs here.
Remember the overriding ethos on Beehaw: Be(e) Nice. Each user you encounter here is a person, and should be treated with kindness (even if they’re wrong, or use a Linux distro you don’t like). Personal attacks will not be tolerated.
Subcommunities on Beehaw:
This community's icon was made by Aaron Schneider, under the CC-BY-NC-SA 4.0 license.
founded 2 years ago
MODERATORS
I have never really seen the attraction of Spotify. Music is accessible so easily in so many ways. I own thousands of CDs, listen to the radio all the time, and have at least 100gig of music files to make playlists from, much of it music by people I know. I play and listen to live music regularly. What could spotify possibly offer me that I can't access in a more ethical and recogniseable way?
Yeah I cancelled my Spotify and I'm not sure I'll be releasing any new music on streaming services. I'm over it
🤖 I'm a bot that provides automatic summaries for articles:
Click here to see the summary
My current band, Damon & Naomi, only provided the soundtrack for a comparatively modest trek, “from Berlin to Beijing three times”.
We’ve been hearing these slogans for decades, while watching our incomes from creative work go down and down, until finally now, for many of us on Spotify, they will hit absolute zero.
Down at the level of most tracks on the platform, a devoted fan who listens to the work of a lesser known artist over and over still pays most or all their subscription money to Ed Sheeran, Drake, Taylor Swift and Bad Bunny.
You can count me among that number, along with the US-based advocacy group I am a part of, United Musicians and Allied Workers (UMAW); or Tom Gray of the band Gomez, who launched the very visible campaign #BrokenRecord in the UK.
We have been calling for a switch from this so-called pro-rata accounting, to a user-centric system that would reward artists directly with the money paid into the pot by those who actually listen to our work.
None of these three extremely well-capitalised corporations need to listen to artists at the low end of the scale like me, even though collectively we are providing the bulk of content on their platforms.
Saved 78% of original text.