this post was submitted on 26 Jun 2023
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Asklemmy

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[โ€“] dingus@lemmy.ml 10 points 1 year ago* (last edited 1 year ago) (3 children)
  1. Dead Man: A film by Jim Jarmusch starring Johnny Depp and Gary Farmer and an all-star cast. Beautiful acid western about friendship in harsh circumstances. Wonderful original soundtrack by Neil Young.

  2. The Fall: A film by Tarsem. This films story isn't necessarily amazing, but this is a love letter to classic cinema. It has a plot about classic cinema, and it uses all classic techniques to achieve the effects. Tarsem famously went out of their way to ensure there wasn't any CGI in this film. It's one of the most vividly colorful and visually stunning films I have ever seen.

  3. Dreams: A film by Akira Kurosawa. A montage of short films inspired by dreams experienced by filmmaker Akira Kurosawa. In partnership with Lucasfilm. Almost as visually stunning as The Fall but much more cohesive stories for being inspired by dreams. Come for "The Peach Orchard," and stay for "Village of the Watermills."

  4. Brazil: A film by Terry Gilliam starring Jonathan Pryce, Robert DeNiro, Kim Greist and Michael Palin. A treatise on dreams in a totalitarian society. The only cut worth watching is the Directors Cut. The film was famously butchered by the studios to give it a "happy ending" because the original was considered too bleak.

  5. Sneakers: A film by Phil Alden Robinson starring Robert Redford, Sidney Poitier, River Phoenix, and Ben Kingsley. One of the only films that ever presented a semi-realistic portrayal of hacking. Good plot, good pacing, and arguably prescient considerations.

The Fall is such an eye feast.

[โ€“] funnyletter@lemmy.one 2 points 1 year ago

Sneakers was my favorite movie when I was like 12. Which is a weird age for that and yet. (my other fav was The Hunt for Red October, so I was kind of a weird tween...)

[โ€“] imaqtpie@sh.itjust.works 2 points 1 year ago* (last edited 1 year ago)

I love Brazil so much. De Niro has such a fantastic role in that film, never fails to make me smile.

And the Kafkaesque/Orwellian tone is just sublime.