We'll have to agree to disagree on that. I don't consider "long" to be either necessary or sufficient for something to be "epic"—long is just, well, long. When a narrative with a single continuous plot gets longer than half a million words, I start to suspect it needs a better editor. When it passes a million, I know it does. There were rumours as early as the publication of the third book that Jordan was padding the thing out in order to keep his cash cow going.

(Expecting more downvotes from this, so don't be shy—I can take it.)

[–] LetMeEatCake@lemmy.world 4 points 1 year ago

I think the wordiness of WoT is the foundation for many of its strengths. The series shines IMO on (1) character and plot progression being organic and large in scope, without having clearly demarcated points where everything jumps forward a huge amount, (2) depth of world building and extent of characters, with an especially large cast that are decently fleshed out and (3) foreshadowing being carefully placed throughout the series as a nice treat for anyone that liked it enough to re-read it.

The volume of words helps to make all of those possible. In particular (3), as details can be hidden in just the volume of text that already exists without it jumping out at the reader.

None of that is to say you're wrong for disliking it explicitly for that! Sometimes we dislike things for the same reason someone else likes it, or vice versa. I just wanted to chime in with some contrary thoughts to maybe put that wordiness under a different perspective.

[–] Anticorp@lemmy.ml 3 points 1 year ago

He is excessively wordy, I can agree on that, especially when it comes to describing women's clothing. But the story itself and the world he created are also epic achievements. I think more people would get to experience the latter if he hadn't done the former.