ApostleO

All the more sad.

I honestly would love to see a "Utopia-Realized Level Federation" series, even a limited run, where all the plots are philosophical, artistic, interpersonal, or scientific.

Oh, nice. I'm glad we aren't ending with another stress-fest. End on a more fun note.

That's fair, and I think Starfleet HQ fits that bill. But I think (at least in my opinion of architecture as an art form, which I think starship design falls under, since people live and work there), I'd be frustrated to work on a Saturn class if that big hole did nothing, and made navigating between any two places on the ship more of a pain. That said, with personal transporters, maybe it's not an issue (assuming this ship isn't near any action that could make personal transporters inoperable). Maybe it would work well as a sort of diplomatic vessel, where having all these rooms with windows facing into the ring (like a giant round table) could be artistically conducive to discussion. Maybe they have a bunch of huge holo emitters in the ring, and they use it to project the current speaker, or just cool holo-art when not in session.

I've read through two threads recently on DIS, and I have found nobody talking about S4. Did everyone just give up at S3? Did we all forget about "growing the beard" and how long it can take a show to get it's legs?

S4 is my favorite season of DIS. Species 10-C was some of the coolest new sci-fi for Star Trek in a while. The overarching plot was interesting in that it had high stakes, but it didn't feel oppressive like other seasons. It still had a sense of hope and optimism. A lot of the characters got to expand their roles and relationships, feeling more like an ensemble.

I know there was some stuff that didn't hit well in that season, but I can't recall the details off hand (like I can for S1-S3). In my memory, the good outweighed the bad.

I am hopeful that S5 meets at least that mark, and hopefully glides into a graceful ending for the show. If I had my wish, S5 would make a switch to a more episodic style (rather than a big season-long central plot).

I saw a lot of hate for the Saturn class, and the arguments made sense assuming classic Starfleet designs and concepts.

I, however, love it because it begs the question: why? What is that for? And my mind jumps to all sorts of cool technobabble uses for such a weird ship design.

Some weird portal experiment? Evacuation ship made to maximize shuttle bay access? A specialized science ship designed with tons of inward-facing sensors? The mind boggles with possibilities.

The people who hated in it see wasted space. I see an unopened techno-mystery-box.

It's weird, he doesn't really look like a Tellarite, but he doesn't really look like a Talaxian, either.

I will concede he looks more like a Talaxian than a Tellarite, but still, very different.

Yeah, as much as I actually loved those movies (they were the gateway drug that got me back into Star Trek after only watching random episodes on syndication), I think their window of relevance has passed. Making another one would be pointless, unless maybe if it was some crossover with Strange New Worlds. But I imagine that would confuse general audiences horribly.

Yeah, in-universe, Starfleet seems to have a real nepotism problem.

I asked the same question out loud to myself when I saw Boims in the captain seat. Best guess: since the plan was just to tow the destroyer and throw it, they knew he wouldn't have to do much, and it'd give him a shot. Plus they might have taken his relationship with Mariner (and his rapport with the rest of the Lower Decks gang) into account. Lastly, it might have been a tactic for if the admiralty went through with court-martials. Whomever answered that hail in the captain's seat would be in more hot water than the rest of the crew.

Borg Sphere - best ship.