this post was submitted on 02 Sep 2023
113 points (96.7% liked)
Asklemmy
43989 readers
696 users here now
A loosely moderated place to ask open-ended questions
Search asklemmy π
If your post meets the following criteria, it's welcome here!
- Open-ended question
- Not offensive: at this point, we do not have the bandwidth to moderate overtly political discussions. Assume best intent and be excellent to each other.
- Not regarding using or support for Lemmy: context, see the list of support communities and tools for finding communities below
- Not ad nauseam inducing: please make sure it is a question that would be new to most members
- An actual topic of discussion
Looking for support?
Looking for a community?
- Lemmyverse: community search
- sub.rehab: maps old subreddits to fediverse options, marks official as such
- !lemmy411@lemmy.ca: a community for finding communities
~Icon~ ~by~ ~@Double_A@discuss.tchncs.de~
founded 5 years ago
MODERATORS
you are viewing a single comment's thread
view the rest of the comments
view the rest of the comments
I love when the track goes completely silent for a single rest after some buildup and then punches back into the full chorus. If that βgapβ in noise is part of the melody itself itβs even cooler. It makes the following sound so much more impactful, even if the actual volume hasnβt increased by much.
Yeah, that's one of my favorites too! Got any good examples you like? One of my favs is "Ivory" by Polyphia. It hits right towards the end of the song and always gets me good.
Going back to my skater teen phase, "hands down" by Dashboard Confessional has a good one.
Classic, it's a good one.
Create by OVERWERK is a good example that uses what Iβm talking about multiple times throughout.
I dig it, cool song!
Have to agree. Siamese Dream by the Smashing Pumpkins executes on this so perfectly.